Вітаємо в інституційному репозитарії Харківської державної академії культури!

Репозитарій ХДАК (eKhSACIR) — це цифрова скарбниця наукових, освітніх та творчих праць нашої академічної спільноти.

eKhSACIR містить навчально-методичні видання, наукові статті, монографії, кваліфікаційні роботи та інші матеріали, створені викладачами, співробітниками та здобувачами академії.

Кількість документів у репозитарії: 4831

Запрошуємо дослідників, здобувачів і всіх зацікавлених користувачів долучатися до спільноти, користуватися матеріалами, ділитися власними напрацюваннями та розвивати науковий потенціал разом із нами. Ваша активність допоможе зробити наш репозитарій ще кориснішим і доступнішим для всіх!

 З питань роботи репозитарію звертайтеся до бібліотеки   Головний корпус, кімната 16
 repository@xdak.ukr.education

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Нові надходження

  • Ескіз
    Тип елементу:Документ,
    Ukrainian musical culture of the XX century through the prism of soviet repressions (1919-1991)
    (ХДАК, 2026) Makhlun, A.
    Radical social and political turmoil thoroughly shaped the development of Ukraine’s musical heritage throughout the twentieth century. Moreover, it was the Soviet regime’s merciless drive for control that left the deepest mark. For decades, from the 1920s to 1991, writing music was not exclusively an art; it was a high-stakes negotiation with power. With agencies like the NKVD and KGB keeping a close watch, the soviet state doctrine penetrated every corner of a musician’s world. The permanent scrutiny created a culture of fear, actively deciding which musical doors to open and which to keep shut, which composers could write, what music was deemed acceptable, and even the survival of the institutions that supported them.
  • Ескіз
    Тип елементу:Документ,
    Hybrid theatre: the combination of stage and digital space
    (ХДАК, 2026) Balytska, I.
    Today theatre is going through a very interesting period. We are used to thinking that theatre is a stage and an audience hall, and that this was the only space for communication between the actor and the audience. Now we have another space — the digital one. Because of this, a new concept has appeared: hybrid theatre. In this kind of theatre, live performance is combined with online formats, video projection, and augmented reality. Hybrid theatre is a modern form of theatrical art in which traditional stage elements (acting, scenery, light, and sound) are combined with digital, multimedia, or interactive technologies.
  • Ескіз
    Тип елементу:Документ,
    Prospects for the development of live theatre in the digital age
    (ХДАК, 2026) Rozhentsev, S.
    Live theatre in the modern world remains one of the few art forms that does not lose its relevance even in the period of rapid development of digital technologies, streaming platforms and various forms of online entertainment. In the context of the spread of screen culture, theatre offers audiences a unique experience of direct communication between actors and spectators. This live interaction creates a special atmosphere of emotional involvement and shared perception that cannot be fully reproduced through cinema or digital media.
  • Ескіз
    Тип елементу:Документ,
    Features of the interpretation of vocal music in the practice of a concert singer
    (ХДАК, 2026) Chirka, L.
    The main goal of a professional academic singer is to reveal and convey artistic images through vocal music. The task of a concert singer is as follows: to show the audience a vocal work that reflects the creative idea of the composer and poet, to satisfy the aesthetic demands of the audience, to organically fit the performed work into the general artistic concept of the concert, to take into account the objective conditions and features of a particular performance, and to reveal one’s individuality and creative style.
  • Ескіз
    Тип елементу:Документ,
    Study of the contemporary interactive formats in media
    (ХДАК, 2026) Kryklia, N.
    Interactive media can be considered an innovation in the media world. It is a field that is fundamentally changing how we consume information and, in itself, expanding the possibilities of the established media. To understand interactive media, we should look at the difference between passive and active consumption. In traditional media, the user is a viewer or a reader, but still, someone who receives information. However, when a person experiences interactive media, they become a participant.