Ukrainian period of Dziga Vertov’s creative work
Loading...
Date
item.page.orcid
item.page.doi
item.page.thesis.degree.name
item.page.thesis.degree.level
item.page.thesis.degree.discipline
item.page.thesis.degree.department
item.page.thesis.degree.grantor
item.page.thesis.degree.advisor
item.page.thesis.degree.committeeMember
Journal Title
Journal ISSN
Volume Title
Publisher
КНУКіМ
Abstract
The objective of this study is to analyze the outcomes of Dziga Vertov’s conceptual search based on his works, The Eleventh Year (1928) and The Man with a Movie Camera (1929), which became the most remarkable documentaries in the Soviet cinematography. The authors also go into the reasons of diametrically opposite reviews of the critics on these films. This chapter of collective monograph is based on little-known critical publications about these films in the Ukrainian and Russian media in the 1920s.
Description
Keywords
кіномистецтво українське радянське
Citation
Ukrainian period of Dziga Vertov’s creative work / Myslavskyi Volodymyr Naymovich, Chmil Hanna Pavlivna, Bezruchko Oleksandr Viktorovych, Cherkasova Nataliia Oleksandrivna // Аудіовізуальне мистецтво і виробництво: досвід, проблеми та перспективи / Київ. нац. ун-т культури і мистецтв, Ф-т кіно і телебачення ; [наук. ред. О. В. Безручко] : колект. монографія. Київ : Вид. центр КНУКіМ, 2021. Т. 9. С. 191-205. Bibliogr.: 27 name.