Synthesis of vocal principles of bel canto and technology of national performance in the party of Tian Yumei (opera «Party's Daughter»)

Abstract

The integration of Western vocal principles and national traditions is one of the key tasks of modern performing arts. Liu Shihua's opera «Daughter of the Party» is an example of such synergy, which allows us to explore the features of combining the sophistication of bel canto technique with the expressiveness of Chinese vocal tradition. This study is aimed at improving the methodology for training vocalists to perform intercultural repertoire, which is relevant in the context of the globalization of musical art.